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8 Best Control Surfaces For Logic 2022 - Logic pro x best control surface free
This may seem insignificant at first, until you realize you may not have all the desk space in the world to accommodate your new gear. The dimensions for each product are easily findable, so be sure to look it up and compare it against the space you currently have available. And if you end up purchasing extenders, LCD screens, or other add-ons, it could end up costing you more. So, be sure to spend responsibly and stay within your budget. Otherwise, save up for the desired product.
Each of these brands is reputable, well-known, and creates a wide range of products for musicians and music producers. Icon Pro Audio or iCON Pro Audio specializes in control surfaces, keyboards, interfaces, headphones, microphones, studio monitors, and processors. PreSonus makes a wide range of products, including mixing systems, studio speakers, control surfaces, studio accessories, software, live sound reinforcement, audio interfaces, and networking. PreSonus was founded in and is the leading designer and manufacturer of recording and live sound hardware and software.
Behringer creates products in the following categories — monitors, controllers, DI boxes, rack mixers, mixing consoles, studio bundles, audio interfaces, headphones, studio controllers and meters, guitar and bass, audio tools, effects and signal processors, amplifiers, DJ equipment, microphones, MIDI equipment, drums and percussion, keys and synthesizers, lighting and stage, and loudspeakers.
Sometimes you can still end up with duds, though. This was Behringer as we know it today in its early form. Novation was founded in and is headquartered in High Wycombe, United Kingdom. They make Launchpads the Launch Control XL basically falls under this category , Grooveboxes, synths, keys, merchandise and accessories, and software.
You should now be equipped with everything you need to be able to find your ideal Logic control surface. Remember though, none of what you've learned will matter if you don't know how to get your music out there and earn from it. Want to learn how to do that? A pair of quality studio headphones can make your job much easier. You will likely need proper studio monitors too, but headphones also play an important part in the process.
This is especially true in an instance…. Only problem? You could sit in your studio all day multi-tracking your vocals and maybe get a few friends in there. But that can be a long, laborious process.
Not sure what the best digital audio workstation is to produce your music? Want some feedback from producers and audio engineers who have been hands on and used a bunch of these apps? Then this is the guide for you!
The knobs are small but not so small that they're hard to use. The entire unit itself is small enough to fit comfortably on a desk. It's also light enough that you can drop it into your gig bag and carry it around. The included software editor is powerful and intuitive enough that you can also customize the integration as per your needs. Although it does not have as many features as some other surface controllers on the list, it offers great value for the price. It lacks Device control, which I found to be a surprising decision from Akai.
The knobs might also feel a little small if you have large hands. Some users report issues with the lights not lighting up — even when the rest of the unit works fine. A small quibble has to do with the quality of Akai's gel buttons.
These gel buttons can be found on all of Akai's lower-tier devices, from MIDI controllers to control surfaces, and it's never a good experience using them. They feel sticky and not tactile enough. Akai, if you're reading this, please find better gel buttons on your devices! It is affordably priced and works great out of the box.
Perhaps it's not the most full-featured controller around, but if you're looking for the best control surface for Logic Pro X on a budget, you'll love this unit. With regards to their design, I found the Behringer X Touch to be a rather thick and clunky control surface.
It is not as slim as many of the control surfaces I have tested. I'd even say that when placed on a desktop, you might have to raise your chair height an inch or two if you are sitting while operating it.
The height and thickness make it a tad uncomfortable reaching for the faders and make it hard to see the display properly while sitting. Despite the less than ideal thickness, this control device performs rather superbly, especially for serious producers. Aside from the physical dimensions, the device has connectivity options galore. While testing, I connected the device to Logic. It offers a really stunning functionality level with all the faders, knobs and buttons.
The device supports the MCU protocol quite extensively. The transport buttons here feel really firm and sturdy and are very functional. For example, they have lights to show their current status. The jog wheel also enjoys this design feature. That said, it is not as firm as the transport buttons and feels rather cheap and tacky. The large, chunky size, however, makes up for this lapse.
One of my favorite features — something few control surfaces in this budget offer — is the small LCD scribble strips at the top of each channel fader. This instantly tells you which track or parameter you're controlling. The standout feature for me, however, has to be the motorized faders. It's one of the rare control surfaces on the market with a whole array — nine — of motorized faders. As mentioned earlier, the interaction with Logic is one of the best features of this device.
It has full support with Logic as well as other DAWs. Despite the integration with Mac OS, the lack of a Mac editor is jarring. The build quality is a little disappointing considering the price. The motors on the faders is tacky and feels liable to break. The lack of customization options in the editor is also a letdown. Recommended for: Gigging musicians that have a home studio will find the functionality of this device quite ideal.
It's also great if you want to move from a small home setup to something that's more professional. For our money, this is the best control surface for Logic Pro X as far as performance is concerned. Even the design language follows that purpose. You won't find unnecessary screens and tabs and buttons. Everything is limited.
Some might see this as a problem, but I see this as a perfect example of a tight, single-purpose device. You won't have to spend hours studying the manual; everything is intuitive and easy to figure out on your own. Throw in the fact that it also has wireless connectivity though latency takes a hit and a small footprint, I rank it as the best control surface for Logic Pro X if portability is a top priority.
At the bottom of the front panel, there are the long-throw faders. Read more about Affiliate disclosure here. There are many reasons behind using control surfaces for home studios. Control surfaces make our workflow faster than operating with a keyboard and mouse. They are designed with dedicated controls for separate operations like the transport bar, faders, and assignable buttons.
These things make our workflow faster than the keyboard and mouse where we have to struggle with keyboard buttons to remember and slipping on the faders with the mouse. With controlled surfaces, you can extend the scope of your eyes.
Yes, you can tune out your eyes from the computer screen and make some fun with analog-style controls. Actually, an analog environment is a basic need of any studio. No matter how much this digital world captures the audio recording, the feel of the classic analog environment will always be in demand. And a control surface can fulfill this demand in a better way. Control surfaces are a good example of a classic analog-style user interface with a powerful digital environment working behind it.
Faders are used to control the gain of tracks in mixer and DAWs. The gain is measured in dB. When we increase the volume by 1dB the amplitude of the wave doubles. This doubling nature of dB makes the faders more complicated in balancing low-volume instruments.
And with a computer screen and mouse, you have to struggle hard to achieve your balance. Here control surfaces help us, where you can play with subtle changes in faders and get a better mixing than computer mouse and keyboard. Obviously, a control surface can change the look of your studio. If you managed to get a big control surface you can be able to change the whole look of your studio. If you are going to automate your songs then a control surface is a must for you. With control surfaces, you can easily achieve the best automation in no time.
As compared to digital mixers with the same number of faders and controls, control surfaces are far cheaper. You can get control surfaces with a fraction of the cost of digital mixers. I know, you are wondering which is the best DAW controller for logic pro x?
There are many control surfaces are available in the market that supports Logic Pro X. They are under your pocket length, full of features, and also have a great-looking user interface. Whether you are tracking or mixing, the QCon Pro G2 provides intuitive control over your levels, EQs, effects, automation, and more.
It also features nine motorized faders, eight multi-purpose push encoders, 78 buttons, a jog shuttle wheel, and 2 foot pedal connectors. With eight touch-sensitive motorized faders, you can easily control the levels of your tracks.
The segment LED level meters provide visual feedback for each channels, and the large backlit LCD screen displays channel names and parameter values.
The encoder knobs can be used to control EQs, effects, automation, and more. The eight multi-purpose push encoders can be used to control EQs, effects, automation, and more.
The large backlit LCD screen displays channel names and parameter values. With iMap, you can customize the surface to work with your specific DAW workflow. With eight touch-sensitive motorized faders, segment LED level meters, a large backlit LCD screen, and a jog shuttle wheel, it provides everything you need to take control of your DAW sessions.
But overall, the QCon Pro G2 is a great choice for anyone looking for a high-quality control surface. With its motorized faders, rotary encoders and large LCD screens, the QCon Pro X provides a wealth of control in a compact form factor.
The QCon Pro X is also expandable, so you can add up to 64 channels of control as your needs grow. And with its included software, the QCon Pro X is a great value for the money. Including but not limited to:. The QCon Pro X also includes powerful plugin control and automation. The QCon Pro X is a control surface that can be expanded up to 64 channels, making it a great choice for larger projects.
With its expansion capabilities, the QCon Pro X can grow with your needs. Additionally, the QCon Pro X is expandable up to 64 channels, making it a great choice for larger projects. There are eight touch-sensitive, motorized faders, and rotary knobs for doing things like panning.
Its metal enclosure is built like a tank and is highly durable. It was a tough shootout between the two, but the QCon lineup from Icon is definitely a heavy hitter. LEDs also provide a readout of the location of the pots.
The transport buttons are backlit, perfect for even the darkest, vibiest studios. It connects via USB2. And it comes with a host of free software from companies like Harrison, Tracktion, and Bitwig.
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